BAHAR NOORIZADEH examines the relationship between art and capitalism and their entangled moral, social and organisational technologies. In her practice as an artist, theorist and filmmaker, she investigates the histories and the futures of economics, from ancient monetary systems to cybernetic socialism and neoliberal finance, and the techno-fictions underpinning geopolitical relations and logistical infrastructures. Noorizadeh is the founder and organiser of  Weird Economies, a multi-authoured platform dedicated to radical economic imaginaries. She completed a PhD in Art at Goldsmiths, University of London. Noorizadeh is currently teaching in MA Geo-Design at the Design Academy Eindhoven and is a resident artist at the Rijksakademie (2026-2027).




Portfolio ︎︎︎
CV ︎︎︎
Contact ︎︎︎


Recent
Exhibitions


Admiror, The Guggenheim Museum 2024 ︎︎︎

Taipei Biennial 2023 ︎︎︎

Open Systems, Singapore Art Museum  2023︎︎︎


Biennale Warszawa 2022  ︎︎︎

Tresor 31: Techno, Berlin and the Great Freedom -  Kraftwerk 2022 ︎︎︎

2038 - German Pavilion - Venice Architecture Biennial 2021 ︎︎︎

Recent
Writings


Co-editor, Issue #145, e-flux Journal ︎︎︎

“Teslaism”, in Contemporanea: A Glossary for the Twenty-First Century - MIT Press ︎︎︎

“The Great Illiquidity”, in Catastrophe Time! - MIT Press and Strange Attractor Press ︎︎︎

“Cybernetic Pasts, Financial Futures: The Calculation of the Unknown”, in Between the Material and the Possible: Infrastructural Re-examination and Speculation in Art - Sternberg Press & Edith Russ Haus ︎︎︎

“The Red City of the Planet of Capitalism” - e-flux Architecture ︎︎︎

“The Slow Cancellation of the Past” - Harun Farocki Institut & The Journal of Visual Culture ︎︎︎



Recent
Talks


Transmediale Symposium - In Conversation with McKenzie Wark ︎︎︎

Finance and Society Conference - Speculative Fictions of Financial Society - University College London ︎︎︎

Transmediale Symposium - IOU: Capital, Debts and Promise ︎︎︎

e-flux Film & Video - The State of the Moving Image, Online Symposium ︎︎︎